2023

Amant, Alisyn. “Bio Artists Face an Uncertain Future.” Hyperallergic, December 18, 2023

Ramalho, Tiago. “Science is Suzanne Anker’s Canvas for Defending (or Attacking) the World.” Publico, December 17, 2023

2022

Pentecost, Claire. “Symbiotic Art.“ Art in America, March 2022.

Slattery, Brian. “Artist Imagines A. Future After Climate Change.“ New Haven Independent, June 16, 2022.

Larriva-Latt, Al. “At Ely Center, Artists Summon A Shared Humanity.“ Arts Council, Greater New Haven. June 28, 2022.

Pau, Kelly. “‘Food in New York: Bigger Than the Plate’ Exhibit Re-Designs the City’s Foodways.“ Cool Hunting. September 19, 2022.

2019

Artspace Editors. “Slime Mold, Glow-in-the-Dark Bunnies, and “Victimless Leather”: 9 BioArtists You Should Know.“ Artspace. Feb 7, 2019.

Hawley, Anthony. “Blueprints for Our Future Planet as It Moves Toward Extinction“, Hyperallergic, April 16, 2019.

2017

Assimina Kaniari, Editor. “Institutional Critique to Hospitality: Bio Art Practice Now”. Grigoris Books, Athens, Greece, 2017.

HOVAB (A History of the Visual Arts in Boulder). “HOVAB Artists.” HOVAB, Boulder, CO, 2017. Accessed February 4, 2017.

Graeber, Laurel. “What Struck These Artists? Meteorology Itself.” The New York Times, March 24, 2017, p.C22. Print and web. Accessed March 24, 2017.

Grushkin , Daniel, (ed). “School of Visual Arts: Theme – Food.” Biodesign Challenge (BDC) 2016, January, 2017. Web brochure. Accessed January 27, 2017

Pannucci, Cynthia. “Vanitas (in a Petri dish): Digital Prints by Suzanne Anker – Show Extended to February 26, 2017.” Review of exhibition: Suzanne Anker: Vanitas (in a Petri dish), September 17, 2016 – February 26, 2017, New York Hall of Science. Accessed January 27, 2017.

SciArt Magazine, Editor. “Review: ‘Vanitas (In a Petri dish)’ at New York Hall of Science.” Web. Accessed March 25, 2017.

Squier, Susan Merrill. Epigenetic Landscapes: Drawings as Metaphor. Duke University Press. 2017.

Terranova, Charissa N. “Review of Institutional Critique to Hospitality and Open Science: Singularity and Emergence” in Leonardo, September 2017.

2016

Beckenstein, Joyce. “When Artists Choose Artists.” The Brooklyn Rail, December 6, 2016.

Flach, Sabine. “How Much Life Is in a Still-Life? Art’s Hyper-Natural Nature” in Naturally Hypernatural I: Concepts of Nature. Peter Lang, 2016. pp. 32-52.

Kickstarter, Editor. “Biodesign NYC.” March 20, 2017. Press release, correspondence. Brooklyn, NY. Accessed March 25, 2017.

Sharpe, Emily. “Fluorescent rabbits, slime mould and bacteria: artists get biological.” Frieze London. The Art Newspaper, October 6, 2016.

Wist, Allie. “Who Cooked the Last Supper? Five Surprising Works of Art from The Value of Food Exhibition” in ThisIsMold.com. January 13, 2016.

2015

Chain, Lydia. “Why an Artist Is Growing Space Lettuce.” Popular Science. November 25, 2015.

Clark, Roger. “‘Value of Food’ Exhibit Takes Root Inside UWS Cathedral.” TWC News. October 5, 2015.

Criado, Lula “CLOT Magazine | Suzanne Anker.” CLOT Magazine. October 29, 2015.

De Lutz, Christian, and Regine Rapp. “[macro]biologies & [micro]biologies.” Art and the Biological Sublime in the 21st Century. Berlin: Art Laboratory Berlin, 2015.

Myers, William. “Bio Art: Altered Realities.” New York: Thames & Hudson, 2015.

Perego, Jeanne. “New York: Nella Cattedrale Cresce L’insalata Del Futuro.” Insalatamente. December 14, 2015.

Strosberg, Eliane. “Art & Science.” Second ed. New York: Abbeville Press Publishers, 2015.

Wang, Sue. “‘Future Gallery of Beijing Today Art Museum:’ An Indicator Leading to the Development of Art Museums in the Future.” CAVA Art Info. September 10, 2015.

Yetisen, Ali K., Davis, Joe et all “Bioart: Trends in Biotechnology.” December 2015, Vol 33, No.1.

2014

Harrison, Paul Liam. “Impact 8: Borders & Crossings : The Artist as Explorer.” Duncan of Jordanstone College of Art & Design, 2014.

Hoffman, Jascha. “Science Events: Dancing Particle Physics and Science-Inspired Fashion.” Science, The Scan. The New York Times, September, 29, 2014

Kirkpatrick, David. “Making Art with Brainscans and 3D Printers.” Technonomy, May 29, 2014.

Pini, Gari. “9 Must-See Art Shows Opening This Week.” papermag.com, October 2014.

Terranova, Charissa N. “Suzanne Anker: While Darkness Sleeps.” Glasstire, 06 February 2014.

2013

Akavia, Naamah. “Subjectivity in Motion: Life, Art and Movement in the Work of Hermann Rorschach.” Routledge, 2013.

Franklin, Sarah. “Biological Relatives: IVF, Stem Cells and the Future of Kinship.” Duke University Press, 2013.

––––––. “Specimens as Spectacles: Reframing Fetal Remains.” Interview. Social Text – Interspecies, Volume 29, Number 1 106, Duke University Press, Spring 2011, pp. 103-125.

2012

Bentley, Christopher. “Creations of Biodiversity.” New Scientist, CultureLab. Vol 214, Iss 2869, Pgs 50. June 16, 2012.

Czoppan, Gabi. “DNA-Code fürs Museum.” Focus. Nr 29/12, 16 Jul 2012. p 116.

Goldsworthy, Rupert. “Spilling Out of the Laboratory: A Conversation with Suzanne Anker.” Artcritical.com, April 26, 2012.

Logan, Amy Watson. “World-class biodiversity art raises eco-consciousness the fun way.” Trendhunter.com, May 24, 2012

Streitfeld, Lisa Paul. “(R)EVOLUTION at TEDXChelsea: A Timely Vehicle to the Paradigm Shift.” huffingtonpost.com, June 5, 2012.

2011

Buklijas, Tatjana and Nick Hopwood. “Molecular Futures in Embryo.” Making Visible Embryos. University of Cambridge, 2010. Web. 16 Aug 2011.

Goodyear, Anne Collins. “Genomic Portraits.” (2004): n. pag. Web. 4 Aug 2011.

Oynar, Hande. “In Focus at Pera Museum.” The Guide Istanbul. May-Jun. 2011, pp. 74-77.

Flach, Sabine. “The Glass Veil.” Interview. Habitus in Habitat I, Emotion and Motion. Ed. Flach, Sabine et al. Bern: Peter Lang, 2010, pp. 141-157.

2009

Landi, Ann. “Brain Wave.” Art News. Jun. 2009, pp. 88-93.

Matos, Miguel. “Arte: A arte pos-Darwin.” Time Out Lisboa. Sep. 2009, p. 48.

Rossa, Boryana. “Corpus Extremus: Life+.” Exhibition catalogue. New York, NY: Exit Art, 2009.

2007

Gannis, Carla. “Yuliya Lanina: Pre-pubescent Bosch.” NY Arts Magazine, Dec. 2007.

Nelkin, Dorothy and Lindee, Susan, “The DNA Mystique.” University of Michigan Press, 2007.

Rubinstein, Meyer Raphael. “Art Schools: A Group Crit.” Arts Magazine. May 2007, pp. 99-113.

Stafford, Barbara Maria. “Echo Objects: The Cognitive Work of Images.” Chicago: University of Chicago Press, 2007.

2006

Bredekamp, Horst and Barbara Marie Stafford. “Hyperrealism: One Step Beyond.” TATE ETC Issue 6, Spring 2006.

Zandonella, Catherine. “Probing the Picasso Lobe: What Scientists are Learning; What Artists Know.” Update. Mar. 2006, pp. 6-11.

Wenzel, Kathy; Glauer, Lisa, and Tatjana Fell. “Ein Entscheidender Teil fehlt…” Berlin, Germany: Mensh & Buch Verlag, 2006, pp. 138-145.

Wands, Bruce. “Digital Sculpture.“ Art of the Digital Age. New York, New York: Thames and Hudson, 2006, pp. 77-97.

2005

Nathan, Jacequeline. “Do Not Assume: New Music and Art Festival.” Exhibition catalogue. Bowling Green, Ohio: Bowling Green State University, 2005.

VV.AA. “Suzanne Anker – The Genetic Gaze.” Colorado University Art Museum, 2005.

Wood, Tria. “Review of Suzanne Anker and Peter Rose at the Deborah Colton Gallery.” ArtsHouston. Nov. 2005, p. 31.

Fernandes, Maria Joao. “A Arte Como Ciencia Da Vida.” JL, October 26, 2005

Genocchio, Benjamin. “Art Review; The Haunting Terrain Between Creation and Science.” New York Times, 6 Feb. 2005.

Levy, Ellen K. “Wet Lab: The New Nexus Between Art and Science.” Exhibition catalogue. Fairfield, Connecticut: Sacred Heart University, 2005.

2004

Capocci, Mauro. “L’arte nell’era genetica.” Galileo, 21 Oct. 2004.

Garden Castro, Jan. ”New York: Suzanne Anker at Universal Concepts Unlimited.” Sculpture Magazine. Dec. 2004, pp.69-70.

Keller, Evelyn Fox. “Review: The Molecular Gaze: Art in the Genetic Age.” BioEssays, Vol. 26, Issue 7, July 2004.

Kruglinksi, Susan. Reviews: “The Molecular Gaze.” Discover, Vol. 25, No. 10, October 2004.

Metanexus.org, “The Molecular Gaze: Art in the Genetic Age.” 2004.

Marantz, Robin Henig. “Where Studio Art meets Science Lab.” New York Times. 8 May 2004.

2003

Boxer, Sarah. “The Critic’s Notebook: The Art of the Code, or, at Play with DNA.” New York Times. 14 Mar. 2003.

Holtzmann, Bettyann and Daniel J. Kevles. “Truth, Beauty and the Double Helix.” Newsweek (International Edition), 24 Feb. 2003, pp. 42-44.

Hood, Leroy and David Galas, “The Digital Code of DNA.” Nature Supplement, vol 421, January 23, 2003, p. 144.

Kemp, Martin. “The Mona Lisa of Modern Science.” Nature, vol. 421, January 23, 2003. Pages 416-420.

Moreno, Fred. “DNA Exhibition at NYAS Through 4/11, The Gene Queen.” Update, NYAS, May 2003.

Pinchbeck, Daniel. “Gene Therapy: Four New Exhibits Showcase DNA.” Time Out New York, March 27- April 3, 2003, pp. 53.

Sparks, Heather. “Seed DNA Events Guide.” Seed Magazine insert, March/April 2003. Page 21.

Johnson, Ken. “Art Review, Long Island Shows: The Gilded Age to the Swirl of the Double Helix.” New York Times, 25 Jul. 2003.

––––––. “Art Guide.” New York Times, 13 Oct. 2000.

2002

Boucher, Brian. “Symmetries of Art and Science.” April 24, 2002.

Fortun, Mike. “Now Then: Promising Speed Genomics”. “Paradise Now: Picturing the Genetic Revolution”. Ed. Heiferman, Marvin and Carole Kismaric. Exhibition catalogue. Saratoga Springs, New York: Tang Teaching Museum and Art Gallery at Skidmore College, 2002.

Frizzell, Deborah. “Suzanne Anker.” NY Arts Magazine, June, 2002.

Hirsch, Fay. “Working Proof, Art On Paper.” Vol. 7, No. 1, September-October 2002, pg. 84

MacMillan, Kyle. “Contemporary’s ‘Archipelago’ Does Its Job Brilliantly.” Denver Post, June 21, 2002.

Morgan, Robert C. “Two Morphologies.” NY Arts, June 2002.

2001

Braff, Phyllis. “Art Reviews: Suzanne Anker.” New York Times, 04 Mar. 2001.

Harvey, Doug. “Devices of Wonder.” LA Weekly, 23-29 Nov. 2001.

Jaeger, William. “Genetics Codes.” Times Union of Albany, NY, September 2001.

Knight, Christopher. “Illuminating a Modern Marvel.” Los Angeles Times, November 19, 2001.

Mahoney, Robert. “Tips on DNA.” Art News. Jan. 2001.

Ollman, Leah. “When Seeing is Marvelling.” Los Angeles Times, November 18, 2001.

Princenthal, Nancy. “Code.X: Genome (Review).” Art in America, February, 2001.

Stafford, Barbara Marie, and Frances Terpak. “Devices of Wonder: From the World in a Box to Images on a Screen.” Los Angeles, California: Getty Research Institute, 2001, pp. 20-24.

Temin, Christine. “Exploring the Ties that Bind.” The Boston Globe, October 24, 2001.

2000

Cohen, Mark Daniel. “The Aesthetics of Biology.” NY Arts, December 2000.

Hirsch, Fay. “Working Proof, Art On Paper.” Vol.4, No.4, March-April 2000.

Kimmelman, Michael. “Art Guide.” New York Times, 20 Oct. 2000.

Pollack, Barbara “The Genetic Aesthetic.” Art News, April 2000.

Petteys, Martha. “Science Through Art.” The Post Star, Glens Falls, NY, September 13, 2000.

Wilson, Stephen. “Information Arts: A Survey of Artists and Researchers. Working at the Intersection of Art, Science and Technology.” The M.I.T. Press, 2000.

1999

Siegel, Jeanne. “Painting After Pollock: Structures of Influence.” (Gordon & Breach, 1999).

Stafford, Barbara Maria. Visual Analogy: “Consciousness as the Art of Connecting.” Cambridge: The MIT Press, 1999.

1998

Braff, Phyllis. “Varied Work, Veering Far from Traditional.” New York Times, 08 Sept. 1998.

Whittemore, Hank. “Your Future Self: A Journey to the Frontiers of Molecular Medicine.” (New York: Thames & Hudson, 1998).

Hirsch, Fay. “Working Proof.” Art On Paper, September-October 1998.

1996

Nelkin, Dorothy. “The Gene As A Cultural Icon.” Art Journal, Spring, 1996.

1995

Pinchbeck, Daniel. “Genetic Aesthetics.” World Art, February 1995.

1994

Botte, Hans-Werner. “Naturkunden.” Exhibition catalogue. Budapest, Hungary: Goethe Institut, 1994.

Dougherty, Linda Johnson. Review. “Art Papers.” April/May 1994.

1993

Kisters, Von Jürgen. “Kultur: Die Kamera spielt Springmaus.” Kölner Stadt-Anzeiger, Nr 142, 22 Jun. 1993.

1992

Carson, Juli. “The Auto-Erotic Object.” Hunter College Gallery, 1992.

Cyphers, Peggy. “The Consumption of Paradise.” Art Journal. 1992, pp. 52-56.

Glueck, Grace. Review. “The New York Observer.” November 2, 1992. p. 23.

Johnson, Linda. “A Dialogue With Nature: Nine Contemporary Sculptors.” Exhibition catalogue. Washington, D.C.: The Phillips Collection, 1992.

Sperandio, Christopher. “Wonderful Life.” Art Papers, July-August 1992.

1991

“Prints and Photographs Published.” Print Collector’s Newsletter, Volume XXII No. 1, March-April 1991.

“Prints and Photographs Published.” Print Collector’s Newsletter, September-October, 1991. (Gene Pool)

Taylor, Fredereike, ed. “New Observations.” Number 84, July-August 1991, Cover of Alchemy Issue.

1990

Brenson, Michael. “The State of the City as Sculptors See It.” New York Times, 27 Jul. 1990.

Hannan, Greg. “Art Reviews, Washington Review.” Volume XVI, number 1, June/July 1990 pp. 25-26.

Kalina, Richard. “Reviews: Suzanne Anker at Greenberg Wilson.” Flash Art. 1990.

Kachur, Lewis. “Revivals and Survivals.” Art International, Summer 1990.

Morgan, Robert C. “Fragments, Parts, Wholes: The Body and Culture.” Tema Celeste, April-June, 1990. p.63.

Risatti, Howard. “Review.” Artforum, Summer 1990.

Mahoney, Robert. “Review.” Arts. Apr. 1990.

––––––. “New York in Review.” Arts, November, 1990.

1989

Lewis, JoAnn. “Galleries.” The Washington Post, Saturday, May 27, 1989.

Nelson, Robin. “Suzanne Anker.” Extensions. 1989, pp. 6-12.

Ratcliff, Carter. “Swamp Things.” Vogue, April 1989.

1988

Thorson, Alice. “The Rebirth of Nature in Myth and Mystery.” The Washington Times, April 28, 1988.

––––––. “Review.“ The Washington Times, June 8, 1989.

1987

Schwabsky, Barry. “Arts Reviews.” Arts Magazine. Oct. 1987.

––––––. “Natural Anti-Naturalism.” Flash Art, January, 1988.

“Suzanne Anker.” Arts Magazine. Dec. 1988, p. 85.

Boynton, Andrew. “Views and Voices.” Art and Antiques, October, 1987.

Downtown. “Anker Works.” April, 1987.

Masters, Greg. “Disparate Mating.” Cover, April, 1987.

1986

Glaubinger, Jane. “Paper Now: Bent, Molded and Manipulated.” Cleveland: Cleveland Museum of Art, 1986. Catalogue.

Zimmer, William. “Paper Is The Medium and the Subject.” New York Times, Sunday, June 1, 1986.

Ash, John. “Suzanne Anker at Greenberg Wilson.” Art in America. Oct. 1990, p. 208.

Bass, Ruth. “Review.” Art News. Jan. 1989.

––––––. “New Editions.” Art News. Oct. 1986, p. 100.

1985

Cotter, Holland. “Review.” Arts Magazine. November 1985.

Harvey, Doug. “In The Realm of 2 1/2 Dimensions.” New York Times, April 21, 1985.

Preston, Malcolm. “The Lively Art Form of 2 1/2 D.” Newsday, May 1, 1985.

1984

Braff, Phyllis. “The Lure of Handmade Paper.” New York Times, August 19, 1984.

Raynor, Vivien. “Exploring the Possibilities of Paper.” New York Times, 22 Apr. 1984.

1983

Flomenhaft, Eleanor. “The New Explosion: Paper Art.” New York: The Fine Arts Museum of Long Island, 1983. Catalogue.

Turner, Silvie and Skiold, Birgit. “Handmade Paper Today.” London: Lund Humphries Publishers, 1983.

1982

Farmer, Jane. “New American Paperworks.” Exhibition catalogue. San Francisco, California: World Print Council, 1982.

Harrison, Helen A. “Exploring the Possibilities of Paper.” New York Times, December 19, 1982.

1980

Clurman, Irene. “Monumental Paper Pieces by Suzanne Anker.” Rocky Mountain News, Sunday, April 20, 1980.

Kotik, Charlotta. “With Paper, About Paper.“ Exhibition catalogue. Buffalo, New York: The Albright – Knox Art Gallery, 1980.

Mills, James. “Anker Paper Exhibition Transcends Quiet Power.” Denver Post, April 27, 1980, pp. 29-30.

Sebastian, Christy. “Suzanne Anker.” Artspace, Volume 4, Number 3, June/Spring 1980

––––––. “New Faces, New Images.” Ocular. 1981, pp. 62-65.

King, Mary. “Suzanne Anker’s Work Emphasizes Textures.” St. Louis Post-Dispatch, September 25, 1980.

Rice, Nancy N. “Echo-Tracers.” New Art Examiner, October 1980, Volume 8, Number 1.

1979

Gerrit, Henry. “Paper In Transition.” Print Collector’s Newsletter, Volume X, Number 3, July-August 1979.

Long, Paulette, Editor. “Paper, Art & Technology.” San Francisco: World Print Council, 1979.

Spector, Buzz. “Lucas Samaras/Suzanne Anker.” The New Art Examiner, June 1979, Volume 6, Number 9.

1978

Heller, Jules. “Papermaking.” New York: Watson-Guptil Publications, 1978.

“Prints and Photographs Published.” Print Collector’s Newsletter, Volume IX, No. 4, September-October 1978.

Stich, Sidra. “Diamond-Cutter’s Series.” The New Art Examiner, March 1978, Volume 5, Number 6.

Farmer, Jane. “New Ways with Paper.” Washington D.C.: Smithsonian Institution Press, 1978. Catalogue.

1977

Farmer, Jane. “Paper As Medium.” Washington, D.C.: Smithsonian Institution. Traveling Exhibition Service, 1977. Catalogue.

Haraway, Donna. “Modest Witness @ SecondMilleniumFemaleManMeetsOncoMouse: Feminism and Technoscience.” New York and London: Routledge, 1997.

1976

Lorber, Richard. “Review.” Arts Magazine, April, 1976.