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  • Moreno, Fred. DNA Exhibition at NYAS Through 4/11, The Gene Queen, Update, NYAS, May 2003.
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  • ––––––. Two Morphologies, NY Arts, June 2002.
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Authored Publications (chronological order)

  • Axis of Observation I: Frank Gillette. Eds. Anker, Suzanne & Flach, Sabine. Peter Lang International Publishers, 2018.
  • Antennae 10: A Decade of Art and the Non-Human 07-17. Ed. Aloi, Giovanni, Forlaget 284 / Antennaeproject, 2017.
  • The Biosphere Blues: Mending and Unhinged Earth, O’NewWall Publication, Seoul, 2017.
  • Institutional Critique to Hospitality: Bio Art Practice Now. A Critical Anthology, Ed. Kaniari, Assimina. Grigori Publications, 2017.
  •  “The Greening of the Galaxy” Interalia Magazine. June, 2015. http://www.interaliamag.org/articles/suzanne-anker/
  • Naturally Hypernatural I: Concepts of Nature. Eds. Anker, Suzanne & Flach, Sabine. Peter Lang International Publishers, 2016.
  • “Naturally Hypernatural II.” Antennae Magazine: The Journal of Nature in Visual Culture, Issue #33, Ed. in Chief Aloi, Giovanni; Eds. Anker, Suzanne & Flach, Sabine, Fall 2016.
  • “Naturally Hypernatural.” Antennae Magazine: The Journal of Nature in Visual Culture, Issue #33, Ed. in Chief Aloi, Giovanni; Eds. Anker, Suzanne & Flach, Sabine, Fall 2015.
  • The Glass Veil: Seven Adventures in Wonderland. Peter Lang Publishers, 2015.
  • “The beginnings and the ends of Bio Art” in Bio Art: Life in the Anthropocene, vol 34 no 3, 2014.
  • The Greening of the Galaxy Deborah Colton Gallery, 2014.
  • Embodied Fantasies: From Awe to Artifice. Eds. Anker, Suzanne & Flach, Sabine. Peter Lang International Publishers, 2013.
  • M/E/A/N/I/N/G, 25th anniversary issue.
  • Refigurations of the Animal: Plasticity and Contemporary Art. Ed. Boetzkes, Amanda and Maria, Whiteman. (In progress).
  • “The Exant Vamp (or the) Ire of It All: Fairy Tales and Genetic Engineering.” Fairy Tales, Monters, and the Genetic Imagination. Ed. Scala, Marc. Frist Center for the Visual Arts, Nashville: Vanderbilt University, 2012.
  • Fundamentally Human. Contemporary Art and Neuroscience. Exhibition catalogue, Istanbul: Pera Museum, 2011.
  • “Culturing Life,” Inside – Arte e Ciência. Lisbon: Editora LxXL, 2009, pp. 86-91.
  • “Cultural Imaginaries and Laboratories of the Real: Representing the Genetic Sciences.” The Handbook of Genetics & Society. Ed. Atkinson, Paul, Glasner, Peter, Lock, Margaret. London: Routledge, 2009.
  • Octet: Selected Works from the School of Visual Arts, New York. Exhibition catalogue, Istanbul: Pera Museum, 2009.
  • “Science and Society: Neuroculture.” with Giovanni Frazzetto. Nature Reviews Neuroscience, Nov. 2009, pp. 815-821.
  • “Prime Objects and Body Doubles.” Art Journal, Winter 2009, pp. 99-104.
  • “Technogenesis: Aesthetic Dimensions,” with Susan Lindee, Dorothy Nelkin and Edward A. Shanken. Altering Nature. Volume I: Concepts of ‘Nature’ and ‘The Natural’ in Biotechnology Debates. London: Springer, 2008.
  • “Biofictions and Biofacts: Staking a Claim in the Biocultural Bank,” Visual culture and bioscience: an online symposium. Volume 12 of Issues in Cultural Theory. Ed. Anker, Suzanne and Talasek, JD. Washington, D.C.: The Center for Art, Design and Visual Culture, University of Maryland and Cultural Programs of the National Academy of Sciences, 2009.
  • “Technogenesis: Aesthetic Dimensions,” with Susan Lindee, Dorothy Nelkin and Edward A. Shanken. Altering Nature. Volume I: Concepts of ‘Nature’ and ‘The Natural’ in Biotechnology Debates. London: Springer, 2008.
  •  “Art Schools: A Group Crit.” Art In America, May 2007, p. 104.
  •  “Face Value: Plastic Surgery and Transformation Art.” Exhibition catalogue. New York: New York Academy of Sciences Gallery of Art and Science, 2005.
  • The Molecular Gaze: Art in the Genetic Age, with Dorothy Nelkin. Cold Spring Harbor: Cold Spring Harbor Laboratory, 2004.
  • “Reprotech: Building Better Babies?” Exhibition Catalogue. New York: Academy of Sciences, 2004.
  • “From Code to Commodity: Genetics and Visual Art”, with Dorothy Nelkin. Update: New York Academy of Science. 2003, pp. 4-5.
  • “Portfolio: The Double Helix Comes of Age.” Seed Magazine, March/April 2003, pp. 90-99.
  • “The Influence of Genetics on Contemporary Art.”  with Nelkin, Dorothy. Nature/Genetics, vol. 3, December 2002, pp. 967-971.
  • “Mothers of Invention.” M/E/A/N/I/N/G. Ed. Susan Bee and Mira Schor. London: Duke University Press, 2000, pp. 255-259.
  • “Gene Culture: Molecular Metaphor in Visual Art.” Exhibition catalog, New York: Fordham University, Plaza Gallery. Reprinted in Leonardo 33, No. 5, 2000, pp. 371-375.
  • “Cellular Archeology.” Models, Metaphors, and Matter: Artists and Scientists Visualize Scientific Concepts. Art Journal, Vol. 55, No. 1, Contemporary Art and the Genetic Code, Spring, 1996, pp. 33-43.
  • “Models, Metaphors and Matter: Artists and Scientists Visualize Scientific Concepts.” Art Journal. 1996.
  • “Viruses and Pearls: the materialization of culture.” N.A.P. text(s), The Arts Program, Kutztown, PA, Vol. 1, No 2, 1995, pp.14-15.
  • “Creativity and the Retro-Virus.” M/E/A/N/I/N/G, May, 1994.
  • The Bio-Logic of Joseph Beuys, CAYC, Buenos Aires, Argentina, 1994.
  • “Viruses and Pearls: The Materialization of Culture”, NAP Texts, 1994.
  • “Genetics of Oedipus.” Tema Celeste, Winter 1993, no. 3989, pp. 42-6.
  • “Mendel’s Meltdown.” NaturKunden. Exhibition Catalogue. Koln: Paszti-Bott Gallery, 1993.
  • Errata/Erotica: Proposition X. Exhibition catalog, New York: B4A Gallery, 1992.
  • Miriam Bloom’s Punch Lines. Exhibition catalog, New York: B4A Gallery, 1992.
  • Mothers of Invention, M/E/A/N/I/N/G, November 1992.
  • Synthetic Abandon, Exhibition Catalogue, New York: V-Space, 1992
  • Up Against Klein’s Line, Artist Writing, 1992.
  • From Fact to Fetish. Exhibition catalog, New York: Dooley Le Cappelaine Gallery, 1991.
  • Nature and the Body: Some Thoughts Concerning Sculpture. Exhibition catalog, New York: Greenberg Wilson Gallery, 1990.
  • Vessels of Meaning. Exhibition Catalogue, New York: NYSCA, 1985.
  • Interview with Marcia Tucker, Ocular, 1980.